block embroidery font

Block Embroidery Fonts: Free Sources, Digitizing Techniques & Troubleshooting Guide

1. Introduction to Block Embroidery Fonts

Block embroidery fonts are the unsung heroes of machine embroidery—bold, geometric, and designed for maximum visibility. Unlike their script or serif cousins, block fonts feature clean lines and uniform stroke widths, making them the go-to choice for monograms, garment lettering, and projects where clarity is king. Their high-contrast shapes stand out on everything from sports jerseys to personalized towels, ensuring your designs are readable from across the room (or across the field).

In this guide, you’ll discover where to find both free and premium block embroidery fonts, how to install and manipulate them in leading embroidery machine software, and the essential digitizing techniques that keep your stitches crisp and your letters gap-free. We’ll also explore how to optimize block fonts for tricky fabrics, like towels and knits, and troubleshoot common issues. Whether you’re a seasoned embroiderer or just starting out, this resource will help you master block fonts and elevate your embroidery projects.

Table of Contents

2. Finding Downloadable Block Embroidery Fonts

2.1 Top Free Block Font Sources

When you’re hunting for block embroidery fonts, the good news is there’s a wealth of free resources—if you know where to look and what to expect.

Embrilliance’s Blockish (BX Format): Embrilliance offers a set of free fonts, including “Blockish,” a modern, slightly playful sans serif font available exclusively in BX format. BX fonts are a game-changer: you can type out words directly in Embrilliance software and export them as complete designs in your machine’s format (like PES or JEF). This eliminates the tedious process of aligning individual letter files.

Sunset Stitches Weekly Free Fonts (AST Format): Sunset Stitches runs a “Font of the Week” program, frequently featuring block-style fonts such as “Texta Tron” and “Welcome to Earth.” These are distributed in AST format for Floriani software. Each font comes with a recommended size range (e.g., 0.8 inch for Texta Tron) and can be installed via the “Import Assets” function in Floriani.

Embroidery Fonts Plus (EFP): Available from EmbroideryDesigns.com, EFP is free embroidery lettering software that includes three free fonts and offers robust features like keyboard lettering, density control, and individual letter adjustments. It’s a full software package rather than just font files.

EmbroideryDesigns.com Free Samples: While not always full alphabets, EmbroideryDesigns.com provides free sample characters from many popular fonts, letting you test before you buy.

Pro Tips for Free Fonts:

  • Most free fonts come zipped—always extract before use.
  • BX fonts require Embrilliance; AST fonts need Floriani.
  • Always check the license if you plan to sell items with these fonts.

From the Community: YouTube creators and embroidery bloggers often highlight lesser-known free font sources. For example, Five Star Fonts offers block fonts in both BX and machine file formats, and Bunnycup Embroidery and Creative Appliques have playful block alphabets perfect for kids’ projects.

2.2 Premium Block Font Marketplaces

If you’re ready to invest in your font library, several reputable marketplaces offer high-quality block embroidery fonts:

Apex Embroidery Designs: With over 20 years in the business, Apex provides a wide range of embroidery designs and monogram fonts, including block styles suitable for both commercial and home use.

EmbroideryDesigns.com: Beyond their free samples, EmbroideryDesigns.com’s catalog includes a vast selection of block fonts for purchase. Sampling a few characters before committing helps ensure you get the look and stitch quality you want.

FontBundles.net: FontBundles.net is a treasure trove for font lovers, offering both freebies and premium block fonts. While many free options skew toward trendy or script styles, their paid catalog includes robust block fonts with full alphabets, numbers, and symbols. Note: BX files are less common here, so check format compatibility.

Why Sample Before You Buy? Sampling lets you test how a font stitches on your fabric and machine, ensuring legibility and avoiding surprises. Many sites offer free sample letters for this very reason.

2.3 File Format Compatibility Guide

Embroidery fonts come in a dizzying array of formats, and picking the right one is crucial for a smooth workflow.

Format Compatible Software Scalability Notes
BX Embrilliance High Type words directly; export to machine format.
AST Floriani High Install via “Import Assets”; ideal for Floriani users.
PES, JEF Brother, Janome, others, and pes embroidery software Fixed Each letter is a separate file; manual arrangement required.
ESA Hatch, Wilcom High Advanced editing; rarely free.

Installation & Unzipping Best Practices:

  • Always extract zipped files before importing.
  • For BX fonts, use Embrilliance’s “Install Fonts” feature.
  • For AST, use Floriani’s “Import Assets.”
  • For PES/JEF, arrange individual letters in your software (or use tools like SewWhat-Pro).

Quick Tip: If you’re working with non-BX fonts in Embrilliance, consider using AlphaTricks to map stitch files to keyboard input, saving time and sanity.

QUIZ
Which file format allows direct typing of words in embroidery software?

3. Manipulating Block Fonts in Embroidery Software

3.1 Core Adjustment Techniques: Spacing, Slant & Scaling

Block fonts are versatile, but their magic really happens when you start tweaking spacing, slant, and scale. Let’s break down the essentials:

Kerning vs. Tracking:

  • Kerning is the adjustment of space between specific pairs of letters (think: getting “AV” to look just right).
  • Tracking (or horizontal spacing) adjusts the overall space between all letters.

Most embroidery software lets you fine-tune both. In Embrilliance, you’ll find sliders for spacing and slant in the properties window. Adjusting these can make your letters connect seamlessly or give them a bold, spaced-out look.

Slant Controls:

Want to give your block letters a dynamic, italicized feel? Use the slant adjustment. A little tilt can transform the mood of your text—think sports jerseys versus formal monograms.

Scaling and Size Thresholds:

  • Proportional scaling keeps your letters looking sharp. Most software maintains aspect ratio by default.
  • For block fonts, avoid going below recommended minimum sizes (often around 0.5 inches in height) to prevent stitch distortion.
  • For large letters (over 2 inches), consider switching from satin to fill stitches for better coverage.

Visual Effects:

Stretch, squash, or slant your block font—one font can look like three with a few simple adjustments. As shown in the “Fun with BX Embroidery Fonts” YouTube video, playing with these settings can yield dramatically different results, all from the same base font.

Pro Tip:

Always test stitch your adjusted text on scrap fabric before committing to your final project. What looks great on screen may need a tweak in the real world.

3.2 Embrilliance Workflow for Block Fonts

Embrilliance is beloved for its user-friendly handling of BX fonts, but it also supports non-BX workflows with a little extra effort.

Installing BX Fonts:

  1. Download and unzip the BX font.
  2. In Embrilliance, go to “File > Install Fonts” and select your BX file.
  3. Use the “Create Letters” tool to type out your text.
  4. Adjust size, spacing, and slant as needed.

Working with Non-BX Fonts:

  • Import each letter as a separate stitch file (e.g., PES, JEF).
  • Arrange letters manually to form words or monograms.
  • Use alignment tools to ensure a straight baseline.
  • For efficiency, consider AlphaTricks, which maps stitch files to keyboard input and adds features like automatic kerning and multi-line text.

Multi-Line Text & Lettering Tool:

  • The Embrilliance lettering tool makes it easy to create multi-line text, adjust justification, and experiment with circular baselines for creative layouts.

Troubleshooting:

  • If a font doesn’t appear after installation, double-check the format and re-import.
  • For non-BX fonts, manual alignment is crucial for maintaining the geometric integrity of block letters.

3.3 Hatch Optimization Strategies

Hatch embroidery software brings its own set of powerful tools for block font manipulation and digitization.

Auto-Digitizing TrueType Fonts:

  • Hatch can auto-digitize any TrueType font installed on your computer. While this is handy, manual edits are often necessary for optimal stitching—especially with thin or complex fonts.

Editing Stitch Paths:

  • Hatch allows you to break apart letters and adjust stitch angles, underlay, and fill types. This is especially useful for large or intricate block letters where default settings may not suffice.

Leveraging ESA Format:

  • ESA (Embroidery Specific Alphabet) is Hatch’s native font format. ESA fonts are object-based, meaning they scale cleanly and allow advanced editing (like changing stitch types or breaking apart elements).
  • ESA fonts are rarely free but offer unmatched flexibility and professional results.

Best Practices:

  • For commercial work or frequent customization, invest in best digitizing software for embroidery like ESA fonts for scalability and quality.
  • When converting TTF fonts, be prepared to tweak stitch density and underlay to avoid “telegraph pole” serifs or uneven coverage.

Quick Workflow Recap:

  1. Import or auto-digitize your block font.
  2. Adjust size, spacing, and slant as needed.
  3. Edit stitch paths for clean connections and gap-free results.
  4. Test stitch before final production.

Ready to level up your embroidery lettering? With the right fonts, a bit of software savvy, and a willingness to experiment, your block font projects will stand out—bold, beautiful, and perfectly stitched.

QUIZ
What does tracking adjustment control in block fonts?

4. Digitizing Block Fonts: Structure & Stitch Techniques

Machine embroidery digitizing for block embroidery fonts may look straightforward, but achieving crisp, gap-free lettering requires a strategic approach to both structure and stitch technique. Let’s dive into the architectural essentials and satin stitch execution that transform bold block letters from digital concept to flawless fabric reality.

4.1 Block Font Architecture Essentials

Block fonts are renowned for their bold, geometric forms and consistent stroke widths. But don’t be fooled by their simplicity—digitizing these fonts for embroidery involves careful planning and technical finesse.

Logical Pathing Challenges:
The first hurdle is pathing—the order in which your machine stitches each part of a letter. For example, the letter “T” is best stitched with the vertical bar first, then the crossbar, mimicking how you’d write it by hand. However, when auto-digitizing from a TrueType font, software may not follow this logic, leading to awkward overlaps or “telegraph pole” effects. Letters like “K” or “W” require extra attention to ensure all strokes connect seamlessly, without unnecessary jumps or breaks.

Vector Conversion:
Start by converting your font artwork into clean vector files. This step is crucial for accurate tracing and scalable outlines, ensuring every angle and curve is faithfully represented. Vectors allow you to fine-tune stitch paths, which is especially important for the straight lines and sharp corners typical of block fonts.

Minimum Size Requirements:
Size matters—a lot. To maintain legibility and structural integrity:

  • Minimum Height: 0.5 inches (12.7mm) is the industry standard for block fonts.
  • Stroke Width: No narrower than 0.12 inches (3mm) to avoid thread breakage and ensure the design holds up during stitching.
  • Letter Spacing: At least 15–20% of the character height prevents merging and preserves clarity.

Pro Tip:
Always design your block lettering larger than needed, then scale down carefully. Oversized designs can become distorted if shrunk too much after digitizing.

4.2 Satin Stitch Execution for Sharp Edges

The satin stitch is the unsung hero behind those crisp, high-contrast block letters. But executing it well is both art and science.

Satin Stitch Fundamentals:
Satin stitches are ideal for filling the straight, bold shapes of block fonts. They create a smooth, solid surface and provide the structural backbone that keeps letters looking sharp on the fabric.

Optimal Stitch Execution:

  1. Starting Position:
    Begin in the middle of straight sections for better tension control. While block letters are less finicky than curves, this approach ensures consistent coverage.
  2. Stitch Alignment:
    Keep stitches tight and parallel, following the contours of each letter. Avoid overlaps or splits—precision here is key to that “printed” look.
  3. Tension Settings:
    Slightly lower your machine’s tension compared to standard settings. Block fonts’ straight edges make any tension issues glaringly obvious, so test and adjust as needed.
  4. Multi-Pass Layering:
    For a flawless finish, use a two-pass approach:
    • First Pass: A narrower zigzag underlay (about 2.5mm) lays the groundwork.
    • Second Pass: A wider satin fill (about 4mm) covers the area, smoothing out any gaps.
  5. Corner Treatments:
    At 90-degree corners, slightly overlap stitches or use incremental changes in stitch direction to avoid gaps and maintain sharp geometry.
  6. Specialized Equipment:
    If you have a satin stitch foot, use it! Its design prevents the presser foot from snagging on previous stitches, which is especially helpful for the uniform surfaces of block fonts.

Gap Prevention Strategies:

  • Fabric Tension:
    Hoop your fabric tightly—think “drum tight.” Uneven tension is especially noticeable with block letters’ straight lines.
  • Stitch Density:
    Use a stitch length of 2.0–2.5mm for straight sections, reducing to 1.5–2.0mm at corners. Too loose, and gaps appear; too dense, and you risk puckering.
  • Underlay Stitches:
    A zigzag underlay at 70–80% density stabilizes the fabric and helps prevent gaps during top stitching.

Pro Insight from Hatch Tutorials:
Digitizing block fonts in Hatch or similar software is all about breaking each letter into logical segments and planning connections to minimize jump stitches. Study how pre-digitized fonts are constructed—often, each letter is a composite of multiple parts, sequenced for optimal flow and minimal thread breaks.

In Summary:
Mastering the architecture and satin stitch technique of block fonts is like building a house—start with a solid blueprint, use quality materials (your vectors and stitch settings), and pay attention to every connection. The result? Bold, beautiful block letters that stand out on any garment.

QUIZ
What is the minimum recommended height for block embroidery fonts?

5. Block vs. Serif vs. Script Fonts: Performance Comparison

Choosing the right font style is more than a design decision—it’s a technical one that can make or break your project’s readability, durability, and overall impact. Let’s unravel how block, serif, and script fonts stack up in the embroidery world.

5.1 Legibility and Fabric Compatibility

Not all fonts are created equal when it comes to embroidery. Here’s how the three main categories compare:

Font Type Minimum Size Best Fabrics Thread Density Key Strengths Limitations
Block Fonts 0.25" Denim, canvas, knits, twill 18–22 st/mm Bold, clear, withstands textured/heavy fabrics Can overwhelm delicate fabrics
Serif Fonts 0.3" Cotton, linen, pique 15–18 st/mm Traditional, formal, balanced on stable surfaces Serifs blur on textured/stretch fabrics
Script Fonts 0.5" Smooth cotton, poplin, knits 12–18 st/mm Elegant, decorative, great for large monograms Poor at small sizes, struggles on texture

Block Fonts: These are the workhorses of embroidery. Their thick, uniform strokes make them readable even at small sizes and on challenging materials like towels or knits. Block fonts can handle denser stitching, resist distortion, and maintain clarity through repeated washing.

Serif Fonts: Serif fonts bring a touch of tradition and formality. They work best on stable, medium-weight fabrics where their delicate details won’t get lost. However, those tiny serifs can blur or disappear on textured or stretchy materials.

Script Fonts: Script fonts are the showstoppers—flowing, ornate, and perfect for special occasions. But they require smooth, stable fabrics and larger sizes to maintain legibility. Shrink them down or stitch them on a towel, and you risk losing all that elegant detail.

Testing Tip: Always test-stitch your chosen font on the actual fabric before production. What looks stunning on screen may not survive the realities of thread, tension, and texture.

5.2 Top Recommended Block Fonts

Certain block fonts have earned their stripes in embroidery for their clarity, durability, and versatility. Here are the standouts:

  • Rockwell: This geometric typeface is all about clarity and precision. Its wide character spacing ensures smooth stitching with fewer thread breaks, making it ideal for logos or bold statements.
  • Helvetica: A classic for a reason—Helvetica delivers a clean, effortless appearance. It’s versatile enough for everything from corporate uniforms to decorative text elements.
  • Montserrat: Modern and approachable, Montserrat offers a contemporary look while retaining the clarity and legibility needed for embroidery.
  • Poster Boy: For formal linens and heirloom pieces, Poster Boy exudes sophistication with its bold, structured form.

Use Case Highlights:

Font Best Use Cases Durability Advantage
Rockwell Sports jerseys, logos, towels Maintains integrity at large sizes
Helvetica Uniforms, branding, signage Resists distortion, easy to read
Montserrat Modern apparel, accessories Clean lines, stands up to wear
Poster Boy Linens, heirloom gifts Holds up on thicker fabrics

Why Block Fonts Win: Block fonts consistently outperform others for small text, textured materials, and high-wear applications. Their technical strengths—fewer minimum size restrictions, superior resistance to wash and wear, and compatibility with thicker threads—make them the go-to choice for most embroidery projects.

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QUIZ
Which font type performs best on textured fabrics?

6. Troubleshooting Common Block Font Issues

Even the boldest block font can hit a snag—thread gaps, misalignments, and puckering are all too familiar. Here’s how to troubleshoot and conquer these common headaches, so your lettering looks as sharp on fabric as it does on your screen.

6.1 Fixing Thread Gaps and Misalignments

Thread Gaps:
Those pesky spaces between letters or within glyphs can ruin the solid look of block fonts. Common culprits include:

  • Glyph Overlap Problems:
    If your software leaves hairline gaps between letters, increase the overlap between glyphs during digitizing. For embroidery, a larger overlap is often needed than what looks right on screen.
  • Manual Path Editing:
    Use vector editing tools (like Illustrator) to merge font outlines before digitizing. This creates continuous paths, reducing the risk of gaps during stitching.
  • Stitch Density Optimization:
    Too little density leads to gaps; too much causes thread buildup. For block fonts, aim for a stitch length of 4.0–5.0mm/s and use shorter, thicker stitches for small lettering to maintain clarity.
  • Underlay Adjustments:
    Add 1–2 underlay stitches (such as a zigzag at 70–80% density) to stabilize the fabric and prevent gaps from forming during top stitching.

Misalignments:
If letters don’t line up, check your software’s alignment tools and manually adjust as needed. In Embrilliance, for example, use the align and distribute utilities to keep everything on a straight baseline.

Pro Tip:
Always run a test stitch on scrap fabric to catch any gap or alignment issues before final production.

6.2 Preventing Fabric Puckering

Fabric puckering—those dreaded ripples around your lettering—can sabotage even the best digitized font. Here’s how to keep things smooth:

  • Stabilizer Selection:
    • For stretch fabrics, use tear-away stabilizers.
    • For lightweight fabrics, cut-away stabilizers prevent puckering far more effectively than going without.
    • For heavy fabrics like denim, a medium-weight tear-away stabilizer adds support without bulk.
  • Hooping Techniques:
    Proper hooping is crucial. Using high-quality magnetic embroidery hoops like MaggieFrame or a Hoopmaster hooping station can make a world of difference. MaggieFrame’s powerful magnets and even tension distribution keep garments tightly and evenly hooped, reducing puckering—especially on stretch fabrics. A “stabilizer sandwich” (fabric between two stabilizer layers) further prevents shifting during stitching.
  • Tension Management:
    Adjust pull compensation in your software to account for fabric movement. For block fonts, reducing pull compensation by 15–20% can prevent dense stitching from pulling the fabric too tightly. Periodically test and tweak both upper and bobbin tension to find the sweet spot for your fabric and thread.
  • Stitch Parameter Optimization:
    Simplify designs and avoid excessive detail. For block fonts, use a stitch length of 3.5–4.5mm and maintain density at 75–85% to preserve structure without distorting fabric. Underlay stitches help secure the fabric and prevent shifting.

Why MaggieFrame Helps:
MaggieFrame magnetic hoops are engineered for garment embroidery, offering superior stability and ease of use. Their even clamping force keeps fabric flat and taut, minimizing the risk of puckering and ensuring your block fonts stitch out as intended.

Final Word:
Troubleshooting is part of the embroidery journey. With the right adjustments—overlap, underlay, stabilizer, tension, and a reliable hoop like MaggieFrame—you’ll transform those block font headaches into professional, polished results. Always test, tweak, and trust your process!

QUIZ
What primarily causes thread gaps in block letter embroidery?

7. Fabric-Specific Block Font Optimization

Block embroidery fonts are celebrated for their clarity and boldness, but not all fabrics play fair. Towels, high-pile materials, and stretchy knits each present their own set of challenges—think thread snags, distortion, or letters that seem to dance off the baseline. Here’s how to outsmart these tricky textiles and keep your block lettering crisp, legible, and professional.

7.1 Techniques for Towels & High-Pile Fabrics

Terry cloth towels and other high-pile fabrics are notorious for swallowing stitches and distorting letter shapes. The secret to success? Adapt your digitizing and machine settings to the fabric’s unique texture.

1. Reduce Stitch Density: Dense stitching can sink into the loops of terry cloth, making your letters look patchy or uneven. Lower your stitch density by 15–20% compared to standard settings. This lighter touch prevents thread from getting lost in the pile and reduces the risk of thread breaks.

2. Increase Stroke Width: Block fonts already have an advantage with their bold strokes, but for towels, consider increasing the stroke width slightly. A thicker letter stands up better against the fabric’s texture, ensuring each character remains readable and visually impactful.

3. Specialized Underlay Patterns: Underlay is your best friend on looped surfaces. Use a zigzag or double-layer underlay with 20–30% increased spacing to stabilize the fabric before the top stitches go down. This foundation keeps the loops flattened and helps the top thread sit proudly above the pile.

4. Thread Selection: Opt for a slightly thinner thread (like 70–80wt) to minimize snagging, as recommended by general embroidery density guidelines. Thinner thread glides over loops more easily, reducing friction and potential thread breaks.

5. Test, Test, Test: Every towel is a little different. Always run a sample stitch-out on a scrap or inconspicuous area to fine-tune your settings before committing to the full design.

Pro Tip: Block fonts like Impact, Arial Black, and Tahoma are especially well-suited for towels due to their boldness and minimal detail. Avoid fonts with fine serifs or intricate elements—they’re likely to get lost in the fluff.

7.2 Stretch Fabric Solutions for Knits

Knit fabrics—think T-shirts, athletic wear, baby onesies, and sweatshirts—are comfortable to wear but tricky to embroider. When using an embroidery machine for sweatshirts, special techniques are required. Their stretchiness can distort letters, causing block fonts to look wavy or misshapen after stitching. Here’s how to keep your block letters looking sharp and distortion-free:

1. Horizontal Compression: Before stitching, apply 5–8% horizontal compression to your block font in your embroidery software. This pre-distortion compensates for the natural stretch of knits, so when the fabric relaxes post-stitching, your letters spring back to their intended proportions.

2. Use Cutaway Stabilizers: A high-quality cutaway stabilizer (2–3 oz weight) provides lasting support for stretchy fabrics. It prevents the fabric from shifting during embroidery and maintains the integrity of your block letters through repeated washes and wears.

3. Increase Pull Compensation: Boost pull compensation by 15–20% to counteract the tendency of stitches to pull the fabric inward. This adjustment ensures your block letters don’t end up narrower than intended.

4. Specialized Underlay Techniques: Employ zigzag or double running stitch underlays to anchor the fabric and create a stable base for your top stitches. This helps prevent puckering and keeps your letters sitting flat.

5. Magnetic Hooping Solutions: Proper hooping is critical for knits. Magnetic embroidery hoops like MaggieFrame are a game-changer—they distribute tension evenly across the garment, holding the fabric taut without overstretching. This even tension is essential for distortion-free block lettering and reduces the risk of puckering or misalignment.

Why MaggieFrame? MaggieFrame’s powerful magnetic system and wide range of sizes make it ideal for garment embroidery on knits. Its even clamping force keeps fabric flat, while the easy operation streamlines the hooping process—especially valuable when working with stretchy or delicate materials.

Final Thought: When in doubt, stitch a sample! Knits and towels can be unpredictable, but with the right adjustments—density, stroke width, stabilizer, and hoop—you’ll achieve block lettering that’s both beautiful and durable, no matter the fabric.

QUIZ
What adjustment helps block fonts on terry cloth?

8. Conclusion: Mastering Block Font Embroidery

Block embroidery fonts offer unmatched clarity and versatility, but true mastery lies in the details—choosing the right font, manipulating it in software, optimizing for each fabric, and troubleshooting along the way. By leveraging free and premium font sources, honing your digitizing skills, and making fabric-specific adjustments, you can ensure every project shines. Remember: always test-stitch before production to catch any surprises. With these strategies, your block font embroidery will stand out—bold, professional, and built to last.

9. Frequently Asked Questions (FAQ)

9.1 Q: What is the minimum recommended size for block embroidery fonts?

A: For clean, legible results, block embroidery fonts should generally not be stitched smaller than 0.5 inches (12.7mm) in height. Going below this threshold risks losing detail and experiencing thread breaks, especially on textured or stretchy fabrics.

9.2 Q: What’s the difference between BX and PES embroidery font files?

A: BX files are designed for use with Embrilliance software, allowing you to type out words and export complete designs in your machine’s format. PES files are stitch files used by Brother and Baby Lock machines, where each letter is a separate file and must be manually arranged to form words or monograms.

9.3 Q: How can I prevent puckering when embroidering block fonts?

A: To avoid puckering, use the appropriate stabilizer (cutaway for knits, tear-away for stable fabrics), adjust tension and pull compensation, and ensure your fabric is hooped tightly and evenly. Test stitching on scrap fabric is always recommended.

9.4 Q: Can I use block embroidery fonts for commercial products?

A: Many block embroidery fonts are licensed for personal and commercial use, but always check the specific license terms from the font provider before selling items with their designs. Some free fonts may have restrictions on commercial usage.

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